072
The canvas is thick. The design motif was sourced from a magazine. Cross-stitch was used. A leftover piece of fabric was used and, because it was not large enough, an additional piece was sewn on to lengthen it; this is visible only on the back of the embroidery. From this design, a...
073
The canvas is fine. The design is the result of 100% improvisation. A small motif became the subject of repetition in many different colors.
075
This is a linen tea tablecloth with large checks, inside which small flowers have been added in the color of the tea set. This specific motif is 100% improvised - a design created entirely from imagination.
076
The canvas is thick. The design motif was sourced from a magazine and used to create this composition. Cross-stitch was used.
077
The canvas is fine. The design came from a combination of improvisation and a magazine source. Cross-stitch was used with silver thread. This design inspired the subsequent work No.125. This is a set consisting of three pieces: one large (78×38 cm) and two small (35×30 cm).
078
The canvas is fine. The design came from a combination of improvisation and a magazine source. Cross-stitch was used. This is a set consisting of three pieces: one large (90×40 cm) and two small (40×40 cm).
079
The canvas is medium. The design came from a combination of improvisation and a magazine source. Cross-stitch was used.
080
The canvas is medium. The design is the result of 100% improvisation and composition. Cross-stitch was used. Only leftover threads (stash busting) and fabrics were used. Τhe fabrics were joined lengthwise down the middle. The embroidery depicts Easter motifs (ladybugs and poppies).
081
The canvas is fine. The design motif was sourced from a magazine. Improvisation was used in the center of the piece to avoid tiring visual uniformity. Cross-stitch was used.
082
The canvas is medium. The design came from a combination of improvisation and a magazine source. Cross-stitch was used. The final subject emerged thanks to the color choices.
083
The canvas is fine. The design motif was created through the use of a basic motif and repetition. A combination of cross-stitch and topstitch was used.
084
A seasonal piece that transforms a table setting into a Christmas atmosphere. Candles, mistletoe leaves, and candle lanterns - together with imagination and creativity - are the key elements of this work.
The canvas is medium. The design motif was created through the use of a basic motif and composition. Cross-stitch...
085
The canvas is fine. The design motif was created through the use of a basic motif and repetition. Cross-stitch was used.
086
The canvas is fine. The design is the result of 100% improvisation and composition. Cross-stitch was used. The choice of colors was personal.
087
An artwork that takes us back to children’s fairy tales. This is a large rectangular cross-stitch embroidery presenting in parts the tale of Little Red Riding Hood, designed for decorating children’s rooms or similar spaces. This pattern is 100% an original composition. It is a unique design, created entirely from...
088
The fabric is six-strand tablecloth fabric. The design motif was sourced from a magazine and involves composition and repetition. Cross-stitch was used. This piece is used as a tablecloth and it has a diameter of 180cm. The same design was also used in Work No.130, in a round shape (rotonda).
089
The fabric is six-strand tablecloth fabric. The design came from improvisation and composition. Cross-stitch was used. This piece is used as a tablecloth and it has dimensions 140cm x 170cm.





































